Elizabeth Bachinsky: February 2012

Saturday, February 25, 2012

The March Hare, March 6-12 Newfoundland

Dear Newfoundlanders, I'm going on tour with the March Hare. So excited to be coming to Atlantic Canada. I've never been east of Montreal and I can't wait to see old friends and meet some new ones too. Look out St. John's, Cornerbrook and Gander. I'll be at the following venues (I'm reading at a Masonic temple even):

East Hare

Masonic Temple, St John’s
Wednesday 7 March, 8:00
Karl Parkinson, Elizabeth Bachinsky, Danielle Devereaux, Alexander MacLeod, Pamela Morgan, Donna Morrissey, Matthew Byrne, and Des Walsh

Eric’s Time

The Hotel Gander, Gander
Thursday 8 March, 7:00
Elizabeth Bachinsky, Kevin Blackmore, Gary Collins, Tom Dawe, Nuala Kennedy Trio, Sheldon McBreairty & Kenny Campbell, Karl Parkinson, Dave Paddon, Andrew O’Brien, Matthew Byrne, Craig Francis Power, and Leslie Vryenhoek.

Grenfell Reading

Memorial University, Grenfell Campus, Corner Brook
Friday 9 March, 12:30
Elizabeth Bachinsky, Wayne Muggridge, Karl Parkinson

Pittman’s Fancy

The Legion, Corner Brook
Saturday 10 March, 8:00
Elizabeth Bachinsky, Stan Dragland, Matthew Byrne, Adrian Fowler, Alexander MacLeod, Donna Morrissey, Nuala Kennedy Trio, Andrew O’Brien, Dave Paddon, and the “new poet”

What They say

“Bachinsky's work, with its myriad of influences ranging from Eliot...to Lisa Robertson, is able to rise above the boring drone of the avant-garde-versus-traditional debates. Her work can straddle both sides: formal and experimental, personal and mathematical, with a keen ear for the erotically ridiculous.”

~ Zoe Whittall, Globe and Mail

“Bachinsky has won deserved admiration for her work, full of guts and verve, spunk and nerve.…straight-shooting, straight-talking…Bachinsky’s third poetry collection [has] that same rough beauty, sinuous toughness, of make-do carpentry that works.”

~ George Elliott Clarke, Halifax Chronicle/Herald

“God of Missed Connections is a formidable work from this young poet: a considered and important contribution to the quintessential dialogue on Canada’s fractured collective history.”

~ Deanne Beattie, Vancouver Review

“…enviably good.”

~ Mark Callanan, Quill & Quire

“…one of those rare poets capable of negotiating poetic forms with rigour and testing their limits, while never losing sight of the strange, dark music of what it means to be human.”

~ Jeanette Lynes, The Globe and Mail

“a poet…with an ear to the ground of 21st century culture. [Her work] grips you with yearning from the first verse to the last…"

~ Belinda Bruce, Vancouver Review

“[Bachinsky] doesn’t let any sign pass without spinning out possible signifiers. And she sees the signs everywhere."

~ Jacqueline Turner, The Georgia Straight

“A wonderful, wonderful poet.”

~ Keith Maillard, author of Gloria & Two Strand River

“One of the significant, exciting new poets to follow…one whose fine sense of form is equaled by a dedication to using the full spectrum of tone, style, and content.”

~ Todd Swift, Eyewear

“A major influence…”

~ John K. Samson, The Weakerthans

“A…poet concerned with tradition, but possessing an experimental impulse that gives her work a countercultural thrust.”

~ Stuart Cole, Quill and Quire

“An accomplished poet who thinks and feels in the forms she employs.”-

~ Malcolm Woodland, University of Toronto Quarterly.

“She says what she wants to say confidently and skillfully. I respect this kind of honesty…”

~ Alex Boyd, The Good Reports

“Bachinsky’s willingness to range fearlessly through history sets her writing apart...[she] should be lauded for raising big questions. We should also applaud her sheer moxie.”

~ Jeanette Lynes, The Fieldstone Review, University of Saskatchewan

Elizabeth Bachinsky

Saturday, February 25, 2012

The March Hare, March 6-12 Newfoundland

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